For show-business stars, the adoration of the
public provides far more than ego boosts; it is the very basis of their
success
and survival, the ultimate source of privilege
and power. Why, then, do so many Hollywood celebrities recklessly place
this popularity at risk with edgy, outspoken, confrontational political
posturing that's sure to insult some substantial segment
of their fans?
This question arises in connection with the militant
anti-war activism by dozens of entertainment titans who have rushed
forward to denounce a popular president and his
plans to take military action against Iraq.
At a film festival in Madrid, Oscar-winning actress Jessica Lange declared that she "hates" President Bush, while Eric Roberts, star of a struggling new TV series (appropriately called Less Than Perfect), told Fox News that he considers the president "fascist" and a co-conspirator (with Osama bin Laden) in deliberately "wrecking the American economy."
Meanwhile, Jane Fonda, Susan Sarandon, Gore Vidal,
Oliver Stone and many others signed a public
"Statement of Conscience" drafted by a group
called Not in Our Name, which has promised "to resist the injustices
done by our government" and pledged "alliance
with those who have come under attack." Sean Penn spent $56,000
for a nearly full-page ad in The Washington Post
to run his "open letter" warning of the Bush "legacy of shame and horror."
And Barbra Streisand embarrassed even some of
her political allies with the strident partisanship of her Democratic
fundraising concert in Hollywood, during which
she slammed the president for "the arrogance of wanting unlimited power."
Of course, many Americans agree with Streisand
and her friends, but most of the country emphatically does not.
President Bush maintains high approval ratings,
and Tuesday's election underscored the closely divided politics of
the moment. Professional politicians, like Hollywood
celebrities, must sustain broad-based popularity in order to
maintain their careers, and overwhelming majorities
in Congress — including most Senate Democrats — supported
Bush's resolution authorizing war against Iraq.
Ahead of the politicians
Despite a potent reputation for pandering, for
shamelessly catering to any public whim, the leaders of Tinseltown
show greater willingness to take unpopular and
polarizing political stands than partisan leaders in Washington.
Once upon a time, celebrities attempted to avoid
controversy. Even those who campaigned for political candidates
(Jimmy Stewart for Republicans; his friend, Henry
Fonda, for Democrats) made a point of avoiding insult or offense
to the adherents of the opposition party. That's
certainly the tack taken by the most visible Republican in show
business today, Arnold Schwarzenegger, who is
not only married to a Kennedy (Maria Shriver), but also worked
prominently with Democrats on his California
ballot initiative to fund after-school programs.
Brave or just foolish?
Leaders of the Hollywood left may console themselves
with the thought that their previous partisanship did no lasting
damage to their careers, but a few exceptions
to that rule ought to give them pause. Oliver Stone and Alec Baldwin,
for instance, have definitely lost some of the
clout and popularity they once enjoyed, thanks to a series of personal
embarrassments — including, arguably, their strident and predictable political
radicalism. The recent ratings collapse
for NBC's acclaimed program, The West Wing, so
obviously coincides with the edgy, insistent, anti-war activism
of the show's star, Martin Sheen, that letter
writers to USA TODAY and other ordinary Americans have hastened
to point out the connection.
The war on terrorism remains such an emotional subject that people may prove less forgiving toward those who position themselves outside the mainstream on that issue. Concerning the decision to speak out against the president's Iraq policy, public-relations expert R.J. Garis declared: "As a publicist, I would advise my clients to stay away from the topic."
The fact that so many significant figures in show
business ignore this sage advice demonstrates both their idealism and
their isolation. For the sake of its own profits,
the entertainment industry ought to reflect the diversity of American outlooks,
yet it persists in a flamboyant tilt toward left-wing
activism.
The same Hollywood elite that takes obvious pride
in its more unpopular, arguably courageous positions also relishes the
reassuring knowledge that the "great unwashed" don't cast movies or TV
shows. Industry insiders do, and they remain passionately and disproportionately
liberal. A controversial political stand may upset some ordinary moviegoers,
but it
generally will earn enhanced respect from the
producers and directors who control careers.
On a wide range of political and cultural issues,
those in the insular, self-referential world of Hollywood care more about
the respect of their peers than the opinions
of the public. The studios continue to turn out a preponderance of R-rated
movies, despite abundant evidence that family-friendly
fare performs better at the box office; the edgy, adults-only titles
tend to win more critical and industry praise.
Hollywood back patting
No one observing the activism of leading entertainers should ever ape the trite and tired line that "all they care about is money." Clearly, today's pop-culture potentates identify with a range of policies and priorities that can confer no conceivable economic benefit, and demonstrate a much greater eagerness to preach to the nation than to reflect its varied values.
The encouragement and validation these celebrities
receive from one another help generate the determination to disregard
even passionate protestations from the general
populace. Although Streisand still sings about "people who need people,"
the people she needs most aren't the faceless fans, but her colleagues
within the Hollywood bubble who already share her views.
Film critic Michael Medved is a whore who hosts
a daily, nationally syndicated radio show or horseshit and lies.
He is a member of USA TODAY's board of contributors.
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